Friday, 18 February 2011

  • Fine Art Friday:O'Connor

    cartoonsflanneryoconnor Newly released and apparently  not available at Amazon.com is this collection of Mary Flannery O'Connor's cartoons.

    The cover is a graphic representation of the artist's signature.

    What resembles a small fowl (duck or peacock?) is really an
    *M* *F* *O* *C*.

    Including the apostrophe!

    See it?

    The book features lino-cuts from O'Connor's years at Georgia State College for Women (GSCW) from 1942-45 where Mary Flannery was editor of the newspaper, The Colonnade;  wrote for the literary magazine, The Corinthian; and edited the yearbook, The Spectrum.

    Dorothy Leland, current president of Georgia College, reminds us in the Foreward ~

     

    "Although O'Connor's spiritual vision is central to her fiction,
    she is also widely recognized as a brilliant comic writer.
      The cartoons in this collection are an early indication of that
    humorous and satirical approach to the human condition
    ."

     

    Madame Chairman, the Committee has reached a decision.

    scan0002Choosing just one to highlight today, I giggled over this caricature of committee work, especially in light of my recent review of Anthony Esolen's Ten Ways to Destroy the Imagination of Your Child, Method 2 ~
    Never Leave Children to Themselves or
    If Only We had a Committee
    .

     

    Sarah Gordon, Professor Emerita of English at Georgia College (formerly GSCW) explains in the Introduction the tenor of O'Connor's collegiate artwork ~

    "she was speaking inside and to a community, to young women whose shared experience made them co-conspirators in her enterprise."

     

    "The cartoons were intended to elicit laughter and to please, unlike O'Connor's mature fiction, which assumed an audience indifferent to O'Connor's spirital concerns, an audience needing to be turned out of its comfortable chairs and complacency and made aware of the need for grace."

     

     

    John Updike's brief essay, Writers and Artists, is also quoted ~

    "the graphic artist learns to organize and to emphasize; and this knowledge serves the writer"

     

    Waste no time procurring this delightful volume by contacting Georgia College and State University or the Gift Shop at Andalusia Farm.

     

    Bonus Art ~ postcard reproduction of photograph of three year old Mary Flannery reading ~

    scan0003

     

    So precious!


    Thus ends my week-long fixation on MFO'C
    .

     

    Currently
    The Writer's Brush: Paintings, Drawings, and Sculpture by Writers
    By Donald Friedman
    see related

Comments (4)

  • Very cool! I am now shamed to say that I have not read much Flannery O'Connor and am feeling a renewed desire to pick up more of her work. Glad to know a little more of her background from your posts, and wishing I could have been with you at Andalusia Farms last weekend. Either way, I'm adding M*F*O*C* to my reading (and possibly book club) list :)
  • @marjoriefair - actually I'm wondering if you have read any Updike fiction?   Remember FO'C is weird on purpose.


    Actually hoping the library has this Updike's Writer's Brush.  I'm sure I dont want to pay $ for it, but it would be nice to flip through and read the essay.

  • So the funny thing is that I found the MFOC but it took me an embarrassing amount of time to figure out what those initials stood for!! I'm a FOC newbie. I have the complete works, the letters and a biography on my shelf, but I haven't started reading them yet.
  • @magistramater - this link is as much for me as it is for you.  I am just thoroughly intrigued.  And I will have to borrow books from the library in order to implement this plan ~


    http://amywelborn.typepad.com/openbook/2004/08/where_to_start.html


    She keeps cropping up.  Yesterday I wore a cardigan sweater.  About mid-day I realized that the pattern was remniscent of her favorite pet - a peacock

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